MASTERS ON AUDIO AND VIDEOFeatures Archives

January 1, 2004

 

The Audio/Train Connection

When I started writing about audio, several eons ago, the conventional wisdom had it that most audiophiles were also interested in photography. Audio and photo magazines regularly pitched each other's subscription lists, in the knowledge that the groups were so similar in interest that many would want to buy both types of publication.

Virtually everyone I got to know in audio was also an accomplished photographer, and most held their Nikons and Rolleiflexes in the same esteem as their Marantz preamps and their AR3a or JBL L100 speakers. In my case, I shot with a 1954 Leica M3, bequested to me by a grandmother who was an avid photog until cataracts made using the camera impossible.

I continued to dig out the M3 now and again over the years, although its relentlessly non-automatic nature required a fairly intimate knowledge of the picture-taking process and a willingness to devote a fair bit of time to every shot. For regular work purposes, I found a more prosaic Pentax SLR more useful. I found I could shoot and wind with one hand while holding a drink and a cigarette in the other. I'm not sure my employers properly valued this versatility, but I did get some great pictures.

There seems to be a similar relationship between audio and cars. I've never felt this myself, having driven a series of wrecks over the past decade or so. But most of my closest colleagues have always had very upscale cars. All of them, needless to say, have great sound systems, but that's incidental; the cars themselves are what's important.

I recently discovered a third companion to audiophilia. Several years ago, as a Christmas present, my wife gave me a wristwatch that commemorated Lionel model trains. Instead of a second hand, it has a little train that chugs around a track on the watch face, and if you push a button on one side it emits a series of very convincing train noises (steam, of course). I have since learned that any hobby shop can sell you a little battery-operated box that makes the same noises, driven by the same chip.

I began to sense the connection between audio and electric trains when I wore the watch to the pressroom of the Consumer Electronics Show. Everyone wanted to hear the sounds, and one prominent audio journalist was particularly anxious to find out if the train whistle sound was exactly the same as that of his childhood Lionel set (it apparently was).

One female acquaintance, who does tech support for a major hi-fi company, confessed that she co-opted her brother's trains, and still ran them. I believe she was the first woman I ever met who was interested in model trains. There are, however, lots.

In my case, audio and trains were always closely linked. I have to admit to being a bit of a brand snob in that I always felt -- my current watch notwithstanding -- that Lionel stuff sucked. It had those three tracks, which made electrical sense but was totally unrealistic. I was an American Flyer partisan: two tracks and much more realistic scaling.

I think my father liked to lavish train things on me to compensate for the rather Spartan upbringing he had as a small-town clergyman's kid. Whatever the reason, I got train stations that talked, people that walked on and off trains, coal hoppers that dumped, and enough rolling stock to keep a miniature Amtrak going for a long time. FAO Schwartz in New York -- the major purveyor of American Flyer gear -- could have declared an extra dividend based on what my father bought there.

In my teens, I thought of electric trains as toys, and I was turning my interest to other things, notably electronics. In those days, that meant high-fidelity sound equipment, and I was determined to get what I could of that.

I put an ad in the local paper to sell my trains, and a hobbyist who could hardly believe his luck showed up in nanoseconds. He handed me 200 bucks in traveler's checks, and carted away all my prized American Flyer equipment.

I immediately used the money to buy some of my earliest audio gear, and that -- some years later -- led to a career in audio. But I have always missed those trains.

Then, some months ago, my wife and I were cruising the local megastore and we saw a train set marked down to 50 bucks. For some weird reason, the supermarket chain was into the choo-choo biz, as they had apparently been doing for years. Their trains were of superior quality; a whole setup cost less than a locomotive alone at a hobby store.

We now have a couple of trains, but no permanent setup for them -- that'll have to wait for a special train room.

But that will not be too far off. My audio gear, including several tons of vinyl and tape, has moved with me from place to place for years. Frankly, the train stuff takes up less space; it can come too.

...Ian G. Masters
ian@mastersonaudio.com


MASTERS ON AUDIO AND VIDEOAll Contents Copyright © 2004
Schneider Publishing Inc., All Rights Reserved.
Any reproduction of content on
this site without permission is strictly forbidden.