MASTERS ON AUDIO AND VIDEOTips & Techniques Archives

November 1, 2001

 

Strategies for Upgrading Your Stereo System

Looking at the stereo ads, you don't have to be very perceptive to realize that hundreds of new hi-fi products are introduced every year. In a lot of cases, the new models are simply dressed-up versions of their predecessors, but many do contain technological or functional improvements as well. Sometimes these are fairly subtle from year to year, but over time they do add up.

Eventually, you may come to the realization that your trusty stereo, which has served you well for all these years, has become outdated -- technology has passed you by. One response to this feeling, of course, is to ignore it completely and stick with what you know. Another is to trash the whole works and start again from scratch.

There is, however, a middle ground. Much of the equipment you already own will stand up well beside today's versions, so by focusing on those areas where real improvements have been made, you can bring your system up to date for a relatively small outlay of cash. What you choose to replace will largely be dictated by whether you want your system to sound better or to do more. Ideally you will be able to achieve both.

By far the most important components in any system, as far as sound quality is concerned, are the speakers. They give a stereo setup its sonic character, so any change in speakers can have a dramatic effect on the overall performance of your system. Unlike the other pieces in a hi-fi system, speakers are often designed "by ear" -- their manufacturers have to rely on the subjective notion that one speaker sounds "better" than another because there is very little agreement on just how a perfect speaker should sound, and even less of a consensus as to the tests that would confirm a speaker's "perfectness."

Because of this, no two speakers sound exactly alike, so buyers can only be guided by their ears. As a general rule, though, today's speakers are better performers than those produced even five years ago, and good quality -- however it might be defined -- can be had at lower prices than ever before.

On the other hand, you might like the character of the speakers you now own, but still want to upgrade their performance. One way is to increase the amplifier power available to drive them. All speakers are powered by an amplifier, sometimes a separate component, but more often part of a receiver. Most speakers will operate adequately with 40 or 50 watts per channel, but this level rarely offers much "headroom" -- the ability to handle momentary musical peaks, which sometimes require many times the normal power.

Such peaks are usually so brief that we're often not really aware of the strain they put on the amplifier, called "clipping." But the increased smoothness obtainable with a higher-powered amplifier is immediately audible. The power demands of digital audio -- or even a preference for listening at high levels -- make the desirability of high power that much greater.

Another way to enhance your speakers is to add a subwoofer, even if you're sticking with two-channel audio. The hardest part of the musical spectrum for any speaker to reproduce is the extreme bass, so many systems now include auxiliary speakers to handle the lowest octaves. These have the additional advantage of allowing the normal speakers to be quite unobtrusive, while the subwoofer can be hidden away virtually anywhere in the listening room; many people use them as end tables or plant stands, for instance.

Similar sonic gains may be achieved by upgrading the sort of signal that is fed into the system, as no amplifier or speaker can perform optimally if it has a flawed signal to work with. One obvious improvement is to limit your listening to compact discs or one of the newer DVD-based discs, if they ever materialize in any quantity. CD players can be had for very little money these days and can be added to any system simply by plugging them into a receiver's auxiliary inputs.

While compact discs are definitely today's premier music storage system, few of us are willing to ditch our older playback systems entirely if we have sizable libraries of LPs or cassettes. Even if you do listen mostly to compact discs, some thought should be given to upgrading your turntable or cassette deck.

The best favor you can do for your vinyl is to invest in a new phono cartridge -- the "business end" of the record playing process. For one thing, there may have been significant advances in the performance of even modestly priced cartridges since you bought your system; for another, a fresh stylus will protect your records in the future, an important consideration now that LPs have disappeared from the shelves.

Cassette decks don't admit of such an easy fix, but the sound of your existing tapes can often be improved dramatically simply by a good cleaning of the heads and tape guides. Cleaning kits are inexpensive and should be an essential part of any hi-fi system. For future taping, it might be advisable to have a service facility recalibrate your machine for one of the latest-generation tapes (which won't affect your deck's ability to play existing tapes), although it's often simpler just to buy a new recorder.

Even if you are content with the sound you have now, your system's lack of flexibility may be a problem, particularly if you plan to add DVD, Dolby Digital or DTS decoders and the like -- most older receivers and amplifiers simply don't have enough inputs to accommodate the amount of equipment that can be used with today's systems. Virtually all electronics manufacturers make A/V receivers that mostly solve this problem, and they are a good bet even if you are not yet ready to take advantage of everything they can do. Such a component will bring the electronic part of your stereo system up to date, while allowing lots of room for future expansion.

...Ian G. Masters
ian@mastersonaudio.com 


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